Figaro class yacht designs 1966–2019

Please find below my latest translation for François Chevalier & Jacques Taglang. Mr. Chevalier writes:

A HISTORY OF THE FIGARO CLASS YACHT DESIGNS
FRENCH SINGLE-HANDED RACING 1966–2019



Class rules often prevent more than they allow innovation. They are continuously created and adjusted to avoid rulebeaters that would obsolete the existing yachts in a racing fleet. Those yacht designers that would have established themselves in a given fleet but had least success with their latest ideas are sometimes the first to limit the rise of new trends in the class in which they have achieved popularity. History gives us plenty of ideas which seem new, whilst they are in fact more often the result of a greater freedom allowed by the class rules that have the fewest limitations.

The race was first named Course de l’Aurore, after the French newspaper for which the founders of the race, Jean-Michel Barrault and Jean-Louis Guillemard, worked.
The guidelines of the competition were very simple and achieved immediate success in its first edition in 1970. It was an offshore race, raced in single-handed 9 metre yachts on elapsed time only. On August 6th of that year, twelve series production yachts took the start in Brest (France), and eight completed all three legs, with Joan de Kat winning the overall event on a Super Challenger, ahead of runner-up Michel Malinovsky.

sailplan of the Super Challenger, draft courtesy of © François Chevalier
Super Challenger
• Yacht designer: André Mauric
• Shipyard: Chantiers Polo, Chantier Quéré, A.C.N.A.M.
• First launched: 1966
• Length: 9.07m
• Waterline: 6.94m
• Beam: 2.72m
• Draught: 1.40m
• Displacement (Lightship): 2,200 kg
• Displacement (SWL): 2,850 kg
• Air draught: 11m
• Upwind sail area: 29 sqm
• Fixed Ballast: 1,200 kg
• Water Ballasts: 2×200L
• Mainsail area: 15.65 sqm
• Jib area: 13.35sqm

From 1977 onwards, the race used either Half Ton cup yachts, series production yachts, or custom International Offshore Rule (IOR 21.7 raters) with an overall length of about 9 metres. Gilles Gahinet won the event on Rally, designed by New Zealander Ron Holland. In 1980, French newspaper Le Figaro became the title sponsor of the event, when Jean-Michel Barrault was a news correspondent for the company. That year, Gilles Gahinet won the race on Port de Pornic, his own design.
Young French yacht designers won all the races from 1978 to 1990: one victory each for Jean Berret, Jean-Marie Finot, Gilles Gahinet and Jacques Fauroux, five victories for Michel Joubert and his partner Bernard Nivelt, and three victories for Daniel Andrieu. However, the sophistication of Half-Ton Cuppers had become a real problem, with team budgets skyrocketing and the IOR rule coming to an end.

For the 1990 event, the race organisers submitted a call for tenders to shipyards to enter a design competition: the race would now be a strict one-design. The winners of the competition, French shipyard Bénéteau, the World’s largest builder of sailing yachts, made two proposals: The overall design of Jean-Marie Finot, which included water ballast tanks, was retained, whilst the jury gave special mention to Jean Berret for the elegance of his design’s sail plan. Subsequently the jury asked both designers to team up to design the future Figaro Solo. Benefiting from a deep fixed ballast, water ballast tanks and increased sail area, the new yacht made away with running backstays and easily overtook Half-Ton cuppers in speed, for an affordable budget, and delighted an entire new generation of racers. In 1992 a new version, with reduced sail area, was launched and named First Class Challenge. Laurent Cordelle was the first winner on this Bénéteau one-design, of which the hull developed into a few of the designers’ most successful production yachts at the Bénéteau shipyard like the First 310, the First 31.7, the Océanis 310 and the Océanis 311.

sailplan of the 1989 and 1992 versions of the Figaro Solo; sheer plan, body plan, waterline plan, deck layout of the Figaro Solo, draft courtesy of © François Chevalier
Figaro Solo
• Yacht designer: Groupe Finot, Jean Berret
• Shipyard: Bénéteau
• First launched: 1989
• Length: 9.14m
• Waterline: 8.40m
• Beam: 3.25m
• Draught:1.80m
• Displacement (lightship): 2,400 kg
• Fixed ballast: 900 kg
• Water ballasts: 2×200L
• Mainsail area: 25 sqm
• Genoa area: 30,50 sqm
• Spinnaker area: 73 sqm

In 2003, the race organisers proposed a new design competition to produce a larger and more modern series, destined to last a decade. The proposal of French designer Marc Lombard met their requirements and became the Figaro-Bénéteau 2. The new yacht took after the Vendée Globe 60 footers and featured a wide hull, a narrow waterline, twin rudders, liquid ballast tanks and a bulb keel, making her a production boat that was easy to handle even in heavy weather.

sailplan, sheer plan, body plan, waterline plan, deck layout of the Figaro-Bénéteau 2, draft courtesy of © François Chevalier
Figaro-Bénéteau 2
• Yacht designer: Marc Lombard
• Shipyard: Bénéteau
• First launched: 2003
• Length: 10.11m
• Waterline: 9.82m
• Beam: 3.43m
• Draught: 2.15m
• Displacement (lightship): 3,050 kg
• Fixed ballast: 1,100 kg
• Water ballasts: 2×220L
• Mainsail area: 38 sqm
• Genoa area: 30 sqm
• Spinnaker area: 85 sqm

More than 10 years have now gone by since the launch of the Figaro 2 and we will have to wait for the race’s fiftieth anniversary in 2019 for the Figaro 3 to make her appearance as the new single-handed one-design for the race.

sailplans of the Mer Forte and Finot-Conq proposals for the Figaro 3, draft courtesy of © François Chevalier
Figaro 3 proposal (Mer Forte)
• Yacht designer: Mer Forte
• Shipyard: Bénéteau
• Length Over All: 9.75m
• Beam: 3.20m
• Draught: 2.50m
• Displacement (lightship): 2,655 kg
• Displacement (typical transatlantic load): 2,890 kg
• Fixed ballast: 785 kg
• Canting keel: 28°
• Lifting rudders with interchangeable port and starboard quadrants
• Air draught: 15.55m
• Mainsail area: 39 sqm
• J1 area: 31 sqm
• J2 area: 20 sqm
• Large spinnaker area: 115 sqm
• Small spinnaker area: 85 sqm
• Code 0 area: 45 sqm
Figaro 3 proposal (Finot-Conq)
• Yacht designer: Finot-Conq / Samuel Manuard
• Shipyard: Bénéteau
• Length: 9.25m
• Beam: 3.50m
• Draught: 2.50m
• Displacement (lightship): 2,780 kg
• Water ballast : 300L
• Bowsprit: 2.50m
• Total upwind sail area: 72 sqm
• Large spinnaker area: 120 sqm
• Small spinnaker area: 92 sqm
• Code 0 area: 56 sqm

After consulting with yacht design teams Finot-Conq and Samuel Manuard, VPLP as well as Mer Forte (headed by Michel Desjoyeaux), the project proposed by VPLP was retained and refined by the Bénéteau shipyard for feasibility, control of reliability and of production cost.
The hull inherits directly from the designers’ experience in the latest generation of 60ft IMOCA yachts, with a fine bow, but with a convex shaped bilge on the chine. Astonishingly the waterline at rest resembles that of the Figaro 2. However, the waterlines differ entirely when underway or in a heel. The yacht features a slightly rounded chine, a flat cutwater followed by deep forward sections, and extremely sleek after sections that compare with those of Comanche, the 100ft IRC supermaxi designed by the same team in 2014. The keel has similarities with those developed by Farr Yacht Design a few years ago, of which the chief benefit is to avoid gathering algae when passing over shoals.
By using foils inverted from the previous generation, the lateral resistance loads increase with heel; According to estimates, 400 to 450 litres of reduction in displaced water can be achieved from 15 knots of windspeed. Considering that the lift of a foil is relative to the speed squared, the Figaro 3 is expected to exit displacement mode entirely (full hydrofoiling flight) between 25 and 30 knots of windspeed in flat waters. The end-to-end distance between the tips of the retracted foils donot exceed the beam of the yacht, but once deployed this distance extends to 5.25 metres.
The rig, which has been moved aft, features a mast with a strong rake and a square top mainsail, producing a larger sail area than that of the Figaro 2, despite a shorter air draught. The backstay is designed to stay the mast only when carrying the asymmetric spinnaker to ease handling in downwind conditions.
In order to reduce cost, the keel is fixed and the rudders are not of the lifting type. We will have to wait another ten years before they become a part of the Figaro 4, with, who knows, perhaps a scow bow!

sailplan, sheer plan, body plan, waterline plan, deck layout of the Figaro-Bénéteau 3, draft courtesy of © François Chevalier
Figaro Bénéteau 3
• Yacht designer: VPLP
• Shipyard: Bénéteau
• First launched: 2017 (ahead of the first race to be held in 2019)
• Sparred LOA: 10.85m
• Hull Length: 9.75m
• Waterline: 9.00m
• Beam: 3.45m
• Beam (extreme): 5.25m
• Draught: 2.50m
• Displacement (lightship): 2,900 kg
• Fixed ballast: 1100 kg
• Water ballasts: 2×220L
• Mainsail area: 39.5 sqm
• Genoa area: 30.5 sqm
• Spinnaker area: 105 sqm

When I studied the project of a 100ft Maxi Scow in 2012 I had sought to reduce bow slamming by creating an open V-shaped pram bow, visible in the body plan and the sheer plan (horizontal and vertical planes). In view of the benefits of the design, I subsequently drew a design proposal for the Volvo Open 70ft class, the IMOCA open 60ft class and a 30ft fast cruiser.
Shortly after however, the Volvo Race transitioned from an open box rule to a 65ft strict one-design from Farr Yacht Design, and the IMOCA 60ft class adopted new cost/quality control standards which included a bow radius limit with a 1.12m maximum on the 1m section from the bow. Displeased with so many design constraints, I decided to put my unfinished draughts on hold.
But in March 2016, the editor at the Voiles & Voiliers magazine asked me if I would be capable of submitting a project for the Figaro 3, in parallel to the competition held between the three other yacht designers.
I was delighted to improve on the 30ft fast cruiser, adding an extra foot of hull length and foils similar to those of the IMOCA 60 footers...

sailplan, sheer plan, body plan, waterline plan, deck layout of the FcH proposal for the Figaro 3, draft courtesy of © François Chevalier
Figaro 3 proposal (FcH)
• Yacht designer: François Chevalier
• Length: 9.45m
• Waterline: 8.88m
• Beam: 2.05m
• Bowsprit: 3.60m
• Draught: 2.20m
• Displacement (lightship): 2,250 kg
• Canting ballast: 750 kg
• Water ballast: 500L
• Air draught: 14.60m
• Mainsail area: 35.40 sqm
• Total upwind sail area: 67 sqm
• Total downwind sail area: 140 sqm

CQS (2016)

extracted from my latest collaboration with François Chevalier, who wrote:



CQS ex-Nicorette III, ex-Aapt, ex-YuuZoo, ex-Tokolosh VI, has just taken part in her first Sydney Hobart race since 2010. Nicorette III was originally designed in 2004 by Alexander Simonis & Martin Voogd with a 90 foot length. In 2016 she was redesigned and lengthened to 98 feet at the Southern Ocean Marine shipyard in Tauranga, New Zealand, under the supervision of naval architect Brett Bakewell-White. Although the original Nicorette III was already an innovator thanks to her canting keel and retractable forward canard, CQS innovates again with a few original alterations: Her reverse tumblehome bow resembles that of AC45 catamarans. Her faired shroud outriggers widen the yacht from a 4.70m beam to 7.36m. A forward centerboard and horizontal/retractable foils amidships were fitted to the yacht and the deck now features an overhanging ledge on either side of the stern, for a better righting moment when the crew is hiked. Please find detailed plans on the team's dedicated website.

In November, CQS took line honours and set a new record in the Royal Akarana Yacht Club's Round White Island Race. However, due to problems with hydraulics and foils already at the start line of the Sydney Hobart race, CQS only finished in seventh place, and 63rd overall, but seems determined to take part in the race next year.



Particulars of ship
• Sparred length: 33.70m
• Length of hull: 29.75m
• Sparred beam: 7.36m
• Beam of hull: 4.70m
• Draught: 5.90m
• Mast height: 37.50m
• Displacement: 24.5 metric tonnes
• Upwind sail area: 465sqm
• Downwind sail area: 1,110sqm
• IRC/TCC rating: 1.858
• Shipyard: Boatspeed (NZ, 2004), Southern Ocean Marine (NZ, 2016)
• Designer: Alexander Simonis & Marten Voogd (ZA/NL, 2004), Brett Bakewell-White (NZ, 2016)

With a displacement of less than 25 metric tonnnes, the new CQS is the World's lightest 100ft IRC supermaxi; Her narrow beam makes her very slippery, especially in light airs, but the resulting form stability is not enough to right the huge sail plan that she carries, so she requires a slew of "swiss army knife" appendages to perform on water.

cutaway of CQS, drawing courtesy © Brett Bakewell-White

sail plan of CQS, drawing courtesy © Brett Bakewell-White

profile of CQS, drawing courtesy © Brett Bakewell-White

general arrangement plan of CQS, drawing courtesy © Brett Bakewell-White

CQS in the 2016 CYCA Trophy–Passage Series, photograph courtesy © Andrea Francolini

CQS showing her first signs of hydraulic keelram problems at the start of the Sydney Hobart race, photograph courtesy © Lachlan Murnaghan

CQS after the start, photograph courtesy © Daniel Forster

CQS after the start

CQS enduring a slow finish up the Derwent river

Crosbie Lorimer's inspection of CQS

The World's fastest man

French yachtsman Thomas Coville, ever the unlucky in his past attempts to lift the singlehanded World circumnavigation outright record, is finally going to make history this Christmas aboard his fifth Sodebo (102ft VPLP trimaran, previously Geronimo, launched 2001), bar any damage, with a projected arrival date across the Lizard Point-Ushant finish line late on Christmas Day and set a new mark under 50 days—a record to stand a very long while in our view—The current record of 57 days was set in 2008 by fellow Frenchman Francis Joyon aboard the 97ft Nigels Irens / Benoît Cabaret trimaran IDEC II, a much narrower vessel. Thomas Coville's new record would set the fifth fastest time around the World, after the fully-crewed Trophée Jules Verne holders Groupama III and Banque Populaire V.
Good luck to him! Watch the finish here:
Sodebo one month before departure, photograph courtesy © Jean-Marie Liot

2015 Sydney Hobart race

In 2015 the eight-time race champion and record-holder Wild Oats was topped 12m and tailed 2m, receiving a new 14m sleeker bow to bring her whole sail plan aft by 2m.

tacking duel between 100ft IRC supermaxis Wild Oats XI (2005 Reichel/Pugh design) and Comanche (2014 VP/LP/Verdier design)

Following Wild Oats XI's retirement and centerboard damage aboard race leader Rambler 88, the similarly damaged Comanche resumed racing and came first at the Organ Pipes.



Ichi Ban (62ft 2013 Shaun Carkeek design) matched raced the whole way to Hobart with Chinese Whisper (66ft 2009 Rolf Vrolijk design, formerly Spirit of Jethou)
At the finish, Chinese Whisper pulled an hour ahead and won her class ahead of Ichi Ban and Comanche.

NYYC/RYS Transatlantic Race

Here is Daniel Forster's photograph of a poster titled "The Evolution of Yacht Design in Transatlantic Winners" and presented yesterday at the New York Yacht Club. The annotations are not readable, I suppose that the first half-hull is that of James Gorden Bennett, Jr.'s 1861 Steers-built 205-ton Henrietta, winner of the first transatlantic race in 1866, but I have never seen a model and I am not sure at all of the plumb bow portrayed here, so it could be a later schooner instead. [[erratum: the half-hull actually matches the Coronet (1885) very precisely. Her owner Rufus T. Bush won a match across the Atlantic ocean in a $10,000 wager against the Dauntless (1866), which had lost another transatlantic match in 1870 against the first America's Cup challenger Cambria (1868). The Coronet still exists and is currently undergoing a complete rebuild by the Newport International Yacht Restoration School with a $15m budget in a purposely-built shed. Work is carried out by pupils and volunteers and is therefore slow, but visits can be arranged. Follow the project here]]
The second model is the Atlantic (1905 Kaiser's Cup) and the third model is the S&S yawl Dorade (1931 race). The underbody of the stunning Phil Rhodes 1969 sloop Carina, which won in her class in 1969, looks remarkably like the fourth hull. The 2011 winner Rambler (100ft Kouyoumdjian supermaxi) was swapped for the half-hull of the 90ft Reichel/Pugh Rambler, which never took part in the race at all. Look here instead. [[erratum: Rambler 90 did win the 2007 Newport-Hamburg race]]

Both Dorade and Carina have entered this year's race in IRC Class 4, and today, the exciting Class 1 match between Rambler 88 and Comanche starts.

Jumping slightly ahead of the finish gun for winner predictions, the 63ft Reichel/Pugh-designed Lucky (originally Loki, winner of the 2011 race from Sydney to Hobart) is expected to take line honours and the IRC overall flag. She is followed rather closely by the 138ft Herreshoff schooner Mariette, but unlike the larger Herreshoff racer Elena which won the race in 1928, Mariette is a cruiser, having taken a leisurely 12kt average since the start and keeping most of the faster chasing fleet in check, though the 100ft Finot/Conq fast cruiser Nomad IV is due to overtake her before the finish.



63ft Reichel/Pugh Loki on her way to win the 2011 Tatersall's Cup (built and launched at McConaghy's in 2009, aerial courtesy © Daniel Forster)

Mariette (Herreshoff schooner launched 1916) - photograph sourced by Claas van der Linde for Jacques Taglang's book

Little America's Cup book - four side stories

François Chevalier published four side stories supporting his new book The Exceptional History of the Little Cup, discussing four early "also rans": White Hog, Mountain Lion, Dulcinea and Splice. Here I have translated them from French:

Whole Hog (1965)

Since the America's Cup was reduced to a one-design match race between 48-footers (14.65m), the International C-Class catamaran championship, affectionately known as the "Little America's Cup", has become one of the last regattas where yacht design prevails. The secret of this competition lies in its founding rules, which, from its inception, took into account the surface of the spars in the sail area. It is this particular detail in the wording of the rules that is responsible for having given "wings" to the competition.

Evolution of C-class catamarans between the 1961 American challenger Wildcat, the first wing (Whole Hog, 1968), and the holding champion Groupama, sailed by Frank Cammas and Louis Viat in 2013.

A reminder of the C-class open rule:
Length Over All: 25ft (7.62m)
Beam: 14ft (4.27m)
Sail area, spars included: 300sqft (27.87m²)

With the launch of his C-class Beverly, William Van Alan Clark Jr. astonished everybody with his original and groundbreaking choices in the new catamaran's design. Whereas other contemporary boats had wooden crossbeams and a plywood cockpit, Beverly featured narrower hulls, fastened together on their topplates by three raised aluminium tubes, similarly to Hobie Cats. A trampoline was set between the two aft crossbeams.

William Van Alan Clark, Jr.'s first C-class Beverly won the North American Catamaran Championship in August 1962.
the first Whole Hog project featuring a wing (1965)
the second version of Whole Hog, featuring a wing with improved aerodynamics (1968)

Beverly was designed by Bob Harris and bears of the name Beverly Yacht Club. She was built near the club at the Cape Cod Shipbuilding in Wareham, Massachusetts. Like Van Alan's other sailboats, she bore a red livery on her topsides. This area on the northern shore of Buzzards Bay is worth visiting and Ram Island, where William lives, right across from the town of Marion, is a small jewel constantly rounded by the local regattas, except in winter. On August 19th and 20th, 1962, it was there that the North American Catamaran Championship was held, the winner being selected as challenger for the Little America's Cup.

Beverly in-build. Van Alan Clark, stands aside his hands in his pockets. Photograph courtesy of Steve H. Clark

Beverly beat four other American C-Class catamarans as well as the previous holder of the Little America's Cup, which the Brits had sold before leaving for home in 1961. However, things were not so easy for Beverly on the Thames Estuary; During the final, she was beaten four to one by Hellcat and the trophy remained in England.

Two years later, American yacht designer George Peterson developed a wingmast for his C-class Sprinter, but could not beat the brothers Dave & Jerry Hubbard's Sealion, which was rigged without a jib. Beverly also received a new "Una Rig", as well as rakeable daggerboards and hull-retracting rudders. The load on the sails and rigging became so high that the fittings often broke. William Van Alan Clark later suggested that a self-standing wing could solve deformation problems in the top of the sails and also reduce the loads of the crossbeams. A wing would incur a heavy weight penalty, about double that of a conventional rig, but, in ideal conditions, it would generate significantly greater lift.

In 1965, Van Alan asked his friend Courtland B. Converse, a 33-year-old aeronautical engineer and president of the Pee-Kay Aircraft Corp., which specialised in seaplane floats. The project was named Whole Hog, but the anticipated weight was all but appealing so the boat never left the drawing board. The next year, most C-class catamarans featured a wingsail, each representing 20% to 30% of their sail area, but Van Alan is convinced that a wing would solve most post the problems relating to the wingmast tops deflecting too much.

Finally, in the winter of 1967, Court Converse, then Commodore of the Beverly Yacht Club, submits the drawings of a new wing for Van Alan's Beverly II of which the hulls were designed by the Hubbard brothers. With a higher aspect ratio than that of the previous project, she comprises three flaps along the trailing edge. Contrary to more recent wings which feature distinct profiles for the forward fixed element and for the aft thinner flaps, Beverly II's flaps were faired continuously with the forward element.

The yacht, which had not been officially christened, sailed in the Spring of 1968. She made three or four outings before she shattered in a gale. On November 23rd, before she could be repaired, Court Converse died in an open-frame autogyro accident, about 100ft from the family house in Converse Point. Van Alan remained a loyal supporter and sponsor of the C-class, but afflicted by grief, could never bring himself to continue the project that had started with his friend. The wing fell into disrepair in a hangar. His family finally ordered the wing to be broken up in 1984, following the passing of William Van Alan Clark on July 16th of the previous year. Heir to the Avon cosmetics corporation, he had specialised in many applied technological fields and had started many spinoff companies. Van Alan's second son Steve took over his activities.


William Van Alan Clark Jr. (1920-1983) and his son Steve.

The North American Catamaran Championship took place on August 19th and 20th 1962, inside Buzzards Bay. The Buzzards breeze proved difficult to exploit for the unprepared C-class crews. Texas Hellcat, designed and built by her owner and skipper Peter Oetking is the only contender with a boat measured to the maximum size in the open rule, but owing to lack of preparedness, abandons on the first day. Sprinter, designed and built by George Patterson, was crewed by Bob Smith and Dave Hubbard, is completely new, and had the same measurements as Hellcat II


Courtland Butler Converse (1932-1968). Court was the youngest commodore in the history of the Beverly Yacht Club in Marion, MA. He came from the family that gave its name to the company renowned for its world famous All Star basketball shoes. He was married to Josephine Saltonstall, whose brother William G. Saltonstall, Jr. had steered Beverly in the Little America's Cup in 1962.

The wing designed by Court Converse in 1968 foreshadows that of Australian Roy Martin's Miss Nylex, winner of the Little America's Cup 1974. The sail was put away in a hangar with the hulls of Beverly II for sixteen years, before being demolished. (unknown photographer, Steve H. Clark collection)

Finally, Tremolino II and Tremolino III, which both belonged to the Le Boutillier-Cornwell syndicate, had been designed by Harold Boericke and by Lt. Col. C. E. Cornwell. The sons of the owners, Ed and Boot, sailed on Tremolino II whilst Walt Hall and Tommy Jackson sailed on Tremolino III. Beverly, which was sailing in her own playground, won three quarters of the fleet races and match races and won the trophy. The Little America's Cup challenger selection trials followed immediately, with Beverly, Sprinter and Tremolino II. Beverly dominated the series and was selected by the challenger committee.

Drawings of the wing as imagined by the Commodore of the Beverly Yacht Club, Court Converse. (unknown photographer, Steve H. Clark collection)

Particulars of Beverly (1962)
ICCT 1962
C-class sail number : US 7
USA
Yacht-club: Beverly Yacht Club, MA, USA
Location of regattas: Thorpe Bay Yacht Club, Essex, UK
Owner: William Van Alan Clark Jr., Ram Island, Marion, MA, USA
Yacht designers : Frank MacLear and Robert B. "Bob" Harris
Sail: hard
Builder: Cape Cod Shipbuilding, Wareham, MA, USA
Year of launch: 1962
Length: 7.62m
Beam: 3.81m
Sail Area: 27.87m²
Helmsman: William G. (Billy) Saltonstall, Jr.
crewhand: W. Van Alan Clark, Jr.
Hull build: laminated polyester
Crossbeams: three aluminium profiles
Deck: Dacron trampoline
Mast and boom: aluminium
Rudder: aluminium and rigid polyurethane foam

Mountain Lion (1968)

Evolution - from Sea Lion(1964) to Mountain Lion (1968 and 1970)

One of the most important developments was that of Mountain Lion, the first C-Class to feature a wing...or maybe the second - in that year, the wing concept was not unknown and two were actually tested: one in Deep Creek Lake, MD, the other in Beverly, MA.

The sail area is limited to 300sqft (27.87m³) on a C-Class and William "Bill" Steane, the designer and builder of Mountain Lion, made an extremely basic wing for her: a rectangular shape, 10ft in breadth and 30ft in height. He designed a symmetrical profile, bearing in mind that under load, the frame and membrane would distort. Steane built the wing in his garden using small aluminium fairings reinforced by a criss-crossing matrix of rods and covered by a nylon film. The wing could can be reduced to two levels, thanks to zip flies that run all around the wing... At the time, Steane worked for a company that supplied three quarters of all the World's zips at Talon Zipper in Meadville, PA. During the first trials on Deep Creek Lake, the performance was neither discouraging nor very convincing.

Steane assembling the frame of Mountain Lion's wing.
(unknown photographer, from Lorhing Miller's collection)
Mountain Lion's wing was a large 10ft by 3ft rectangle, with an aluminium circle for a base. (unknown photographer, from Lorhing Miller's collection)

Bill Steane's story is very different from that of all the other C-Class crowd, most of whom had grown up amidst all sorts of sailing boats. Steane was born in 1915 and grew up in Vermilion on Lake Erie, but quickly left to work inland. He only came back to sailing when his son-in-law introduced him to A-Class catamarans in 1967. In that year, he bought the Class Sealion, that which had campaigned to defend the American flag in the 1964 Little America's Cup at the Thorpe Bay Yacht Club in the mouth of the River Thames.
The builders of Sealion (Dave & Jerry Hubbard), had designed the hulls with a special feature: the deck had as an inward negative slope to reduce the developped surface. This unique feature was used again in 1996 in Steve Clark and Duncan MacLane's Cogito.

The base of of the wing is an aluminium circle. (unknown photographer, from Lorhing Miller's collection)
The circular wing base was inserted in a roller bearing trackof a structure that pivoted on one of the aluminium crossbeams. (unknown photographer, Lorhing Miller collection)

After much thinking, Bill replaced the plywood crossbeams with aluminium tubes and rechristened his boat Mountain Lion (to contrast with Sea Lion's origins on Long Island) and starts sketching wingsails.

Mountain Lion during seatrials on Deep Creek Lake, MD.
Mountain Lion during the 1968 North American Multihull Sailing Association Championship.
(unknown photographer, from Lorhing Miller's collection)

The wing consisted of 44 frames, each spaced 8in from one another. The base was a turning circle, set in a rollerbearing between the forward crossbeam and the aft crossbeam. This complete structure is unstayed and pivots freely, enabling the sail to be hoisted and dowsed conveniently.
En 1968, Mountain Lion took part in the North American Multihull Sailing Association Championship (NAMSA), but her performance did not influence multihull history, so Bill abandoned the Wing concept. Wings would go almost unnoticed until Australian Roy Martin's Miss Nylex made it to the Little America's Cup final in 1974, which she won soundly.
In the following year, Steane steps a cat-boat rig, designed by the Hubbard brothers, on Mountain Lion; With this configuration he sailed on Lake Arthur PA, in the company of the dinghies and keelboats of fellow Moraine Sailing Club members. He took part in a another NAMSA championship in Hamilton, ON, and realised that wingmasts had proliferated and now dominated the multihull scene, particularly Scimitar and Yankee Flyer. Steane was even beaten by the brothers Maede and Jan C. Gougeon catamaran Victor T. He became the grandfather of a new little girl named Sue during the regattas, and this encouraged him to further his research.

Roton Point, 1973. Patient Lady II (US71) is ahead, carrying Dave Hubbard's third wing iteration. She is followed by an overcanvassed Tornado in second place, Mountain Lion (US17) in third, Rick Taylor and Ned Damon's Hawk (US77) in fourth, and Lee Griswold's Taku II (US68) in fifth place. (unknown photographer, from Gene Miller's collection)

Steane started building a wingmast similar to that of Scimitar, with a thick profile and a high aspect ratio, featuring an aluminium fairing, a wooden-slatted frame, each section spaced one foot from one another, and covered by a nylon wrap. Stean brings Mountain Lion to the C-class sanctum of Roton Point, Rowaytown, CT, for the World Championships and the 1972 Little America's Cup selection trials. With Scimitar destroyed in a road accident, George Patterson's Weathercock emerged as the victor, though more than a few offered that Mountain Lion could have made a better defender against the Australian challenger Quest III.

C-class sailors get wet in the slightest breeze or sea, so wet suits are paramount. In the foreground, the trapeze footrests, the compass and the mainsheet track. (unknown photographer, from John Sherer's collection)



A happy Bill Steane receives his 1971 Christmas present! (unknown photographer, from Lorhing Miller's collection)

Steane continued to sail multihulls with his wife Edna, including a trimaran called Trilliad designed by the Gougeon brothers, and giving his grand children many thrills on the Big Lakes, in the Mexican gulf, on the Mississippi river and in the Everglades. He passed away at age 91, having lived and transmitted his passion for sailing.

Dulcinae (1970)

The high aspect ratio of Dulcinae's first wing blatantly exposed the influence of an aircraft pilot.


Having completed 90 drawings for the book on the History of the Little America's Cup, I lay puzzled when someone asked me which C-class I preferred. Finally, I settled in Dulcinae, largely unknown, although she sums up the spirit of this race well.
The Little America's Cup has a fascinating history of international challengers competing in the World's fastest catamarans, all measuring 25 ft in length, 14ft in beam and with a 300 sq ft sailplan. Since 1961 this race has given rise of the wildest of ideas, with the development wingsails tried in the first decade and many other astonishing innovations, which shall be discussed before the launch of the book.

Dulcinea was designed in 1970 for 4-time gold medal olympian Paul Elvstrøm, by Ib Pors Nielsen, an engineer who had previously managed the Danish team in the Little America's Cup. Leif Wagner Schmidt and Hans Gert Frederiksen, the designers of the challenger Opus III, had won over the defender Ocelot, putting an end to eight years of British dominance in the event. Paul Elvstrøm had attended the event at the Thorpe Bay Yacht Club to support his fellow countrymen and had been won over by the atmosphere, the technology and the speed of the C-class.

In 1969 the Danes only had one C-class, so it was impossible train in match racing. They had two boats but only one rig: Opus III had inherited it from Opus II. Their victory was due in large part to an ageing defender, Ocelot. Thus Elvstrøm and Nielsen's project was a good opportunity to defend the Little America's Cup in Denmark. Schmidt and Frederiksen were satisfied with the lines of Opus III, of which they raise the bow, and for which they develop a wingmast with a larger sail area. On his part, Nielsen is decided on producing a revolutionary catamaran, featuring a wing with high aspect ratio, extending to a cylindrical base, and capable of rotating 360°. He completely removes sails, providing the wing with a trailing edge flap wide enough to offer substantial trimming possibilities and remain efficient downwind.

Ib Pors Nielsen, who passed away in 2012, designed many trimarans after Dulcinea, though all more conventional in type.
Dulcinea's deck layout clearly shows the integrated circular wing base.


Dulcinea's lines plan, the ratio between length and height is 3 to 10.


The mast sections are NACA 682-615 profiles, with a 16% thickness/chord ratio at the base.


A puzzled Elvstrøm contemplates the assembly.
With Dulcinea on her side, Elvstrøm holds one of the gym ball bearings in his left hand.
A timid outing aboard Dulcinea, the deck is not ideal for hiking, the nicks in the hulls to rest one's feet are not reassuring, especially as the boat is not fitted with stays or even a trapeze.

Dulcinea became the first European C-class catamaran to feature a wingsail when she was launched, shortly before Schmidt and Frederiksen's Sleipner. She bore sail number D2. The turnplate base, integrated in the deck, measured 2.70m in diameter and revolved on a peculiar ball bearing arrangement: 50 gym balls in a track to dampen the loads! The wing was a self-standing NACA 682-615 airfoil measuring 12m and weighing 70kg. The frame build was moulded wood, aeronautical plywood as well as expanded polystyrene of 15kg/m³ for the sections.

During Dulcinea's first outing, Elvstrøm was surprised by the wing's power, and a trapeze, deemed unnecessary due to the wing's ability to turn about completely, was found lacking: the catamaran heeled, then accelerated, broached, finally capsizing and breaking the wing. Repairs took a few days, too long for Dulcinea compete against her fellow contender Sleipner, although she did manage astonish the journalists aboard a powerboat as she overtook them.

Dulcinea, between the successful 1969 challenger and the unsuccessful 1970 defender.


Dulcinea, on her side on the beach, could have revolutionised yacht design, had she only a trapeze...


Splice (1976)

Splice resembled no other C-class: Designed by a glider specialist, she was a formidable upwind performer, but inefficient at other points of sail.


Splice was the only South African C-class catamaran, but what a C-class she was! She made all heads turn when she arrived on the Eastern seaboard for the 1976 Little America's Cup selection trials. I would not know which unique attribute to describe first. To start with, she complies with the C-class, being 25ft in length, 14ft in breadth and with sail area capped at 300 sq ft. However, in principal and by definition, there would be a crew of two, but Splice's cockpit, below the wing, only has space for one. And because the wing takes the entire width of the forward crossbeam, the other crewmember is hard pressed to change sides. The wingsail had one trailing edge flap that spans the entire height, with a stabilizing aftercanard, which itself features a trailing edge flap. This configuration vaguely resembled a vane steering system developed in Seattle, WA. The two hulls was linked by a single large crossbeam, although the wing base was wider still.


During the Second World War, Norwegian Fin Utne built Flaunder, a winged sailboat that featured a self-steering aftercanard. (AYRS collection)

The Amateur Yacht Research Society produced this sketch of Splice in March 1976, indicating that a Russian researcher had proposed a similar closed cockpit on a land yacht in 1940.

The wingsail had a particularly high aspect ratio, and turned 360° on a hard wooden base disk. There was no trapeze, no stays, and the helmsman remained enclosed in his plexiglass cockpit at all times. The aftercanard and its flap were controlled from the cockpit, and determined the incidence of the wing and its flap. The rudders were pedal-controlled. The pilot, whilst in the cockpit generated no air drag, but could not get out, and thus could not hike. There was a single centerboard located beneath the wingsail which swung laterally into place! The hulls hulls had very low freeboard, the bows were equipped with bulbs, similarly to large displacement vessels. The protrusion extended almost to the crossbeam. The rudders could retract into slots in the double-ender sterns.

Splice's designer and builder, South African 54 year-old Patrick Beatty, from Bedfordview, a suburb of Johannesburg, was a glider pilot, engineer and builder. He spent three years to develop this C-class, testing her in a lake close to Johannesburg before shipping her to Rowayton, CT. In September 1975, the Roton Point Sailing Association was bustling with activity, with three weeks of competition: the NAMSA championship, the Pacific and Atlantic championship, followed by the selection trials for the Little America's Cup, to be held in Australia in February, against Miss Nylex.

For Splice's first outing, Beatty wanted to sail singlehandedly, but the sailing committee retorted that the C-class rules requires a crew of two, so a young volunteer was designed to sail with him. Considering the dangers that he would encounter in tacks, as well as the risks of impaling onto the centerboard lever, Beatty was eventually authorised to sail alone.

South African Patrick Beatty before Splice, the bulbous bows showing slightly in lower left hand side. (Steve Clark collection)


Splice immediately displayed formidable upwind performance, with exceptional heading. However, on the reaching tacks, her lateral stability showed weakness, with her leeward hull sinking distinctly. On the running tacks, the wingsail gave a lacklustre performance, her flaps being to small to generate much lift. Her only hope in getting to the mark was to beat downwind on a series of broad reaches and gybes.


The New York Times used this photography of Splice to relate the Little America's Cup at the Roton Point Sailing Association, in Rowayton, Long Island. (photographer: Joanne A. Fishman)

During Splice's first outing, the extra crew was lying on the deck and Beatty was at the cockpit controls, just like on his gliders. (photographer: Dan Nerney)


That first day of racing was the last. A violent storm damaged Splice overnight, and repairs could not be carried out to make the selection trials. Beatty truncated the wingsail and donated it to Professor Sam Bradfield of Stonybrook University. Bradfield, a hydrofoil pioneer, kept Splice a short while as Beatty returned to his home country, never sailing in the C-class again. He and his wife died in a car accident in 1991.

After the storm, Beatty decided to lighten and truncate Splice's wingsail, and put her up for sale before returning to South Africa. (Steve Clark collection)


Californian Alex Kozloff won the American challenger selection trials aboard Aquarius V, even though Patient Lady III had dominated the championships, but her wingsail was broken in the last week of racing. In February 1976, Alex Kozloff successfully defended the American flag against Miss Nylex, winner of the previous edition.

Alex Kozloff, aerodynamicist, is a light catamaran expert. He was convinced that, in light airs, Aquarius V's soft sails could beat a wingsail if the overall weight of the boat was light enough. The 1976 Little America's Cup proved him right and the Australian Miss Nylex was beaten 4 races to 3.


- The "Little America's Cup" has been forbidden from serving as an official name, after having been affectionately known as such ever since its inception in 1961. Over the years, it has been known as the International Catamaran Challenge Trophy and the International C-Class Catamaran Championships. It will be raced again in September 2015. Find out all about it here.
- The author François Chevalier thanks Lorhing Miller, Gene Miller and Duncan MacLane, naval architect and skipper of the Patient Lady boats, for their precious contributions.

the book

sail plans of Beverly (1962), Opus III (1969), Dulcinea (1970), Coyote V (1980), Signor G. (1980), Patient Lady V (1982 config), Signor G. (1982), Patient Lady VI (1985), The Hinge (1987), Freedom's Wing (1991) and Canaan (2010) - drafts courtesy © François Chevalier

The French language print of Mr. Chevalier's new book La Grande Histoire de la Petite Coupe is out now. 224 pages, 90 drawings, reminiscent of the layout in the same author's supersize book America's Cup Yacht Designs, but in a compact and handheld format that is adequate for these 25ft boats (those interested in modelling or large prints should consult this page and ask for an up-to-date list of plans). Each edition of the race has its own chapter providing a brief but very accurate explanation of the boats, sailors, designer/builders and the races themselves. They are accompanied by many fullpage photographs, some of which are excellent. The centerpiece of the book are really the drawings; Each chapter is ended by a lines plan of the winning boat, sail plans and particulars of both winner and runner up, as well as a chart plotting the race course. This exhaustive history of designs gives a unique insight into the influence that this small race has had on high profile inshore multihull racing like the 1988 America's Cup and the two latest Cup cycles, as well as the current crop of fast beach catamarans. The book is a superb production, below are a few photographs describing the layout.
To be followed by an English language print, titled The Exceptional History of the Little Cup, due September 2015, although I am told that a 1,000 copies are already in circulation.